In 1951, director Cecil B. DeMille contacted Columbia Pictures studio head Harry Cohn about borrowing Rita Hayworth to star in a production of "Salome." Cohn essentially stole DeMille's idea, and made his own film. He told screenwriter Jesse Lasky Jr., "You have one weekend to come up with a story for this movie, or you're fired!" Over a weekend, Lasky wrote out a 50-page treatment that became the basis for the film. However, since Hayworth was a popular box office star, the original New Testament ending of the film was re-written to make Salome more sympathetic, and less of a femme fatale.