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Vanisri

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Vanisri
Vanisri
Worked like:
Born:
August 03, 1948
Birth Name:
Ratna Kumari
Country:
Position in rating:
Some Facts
She retired from films as a heroine in the late 1970s, because she objected to heroines being asked to dress more provocatively and act and dance like vamps. She then married and has two children, including a daughter who is a doctor. In 1989, she returned to films and television serials, playing supporting roles as mothers, aunts, and mother-in-laws.
S.V. Ranga Rao gave her the professional name of Vanisri.
She said that the most challenging roles of her career were in the Telugu films Iddaru Ammayilu (1972) and Krishnaveni (1974).
She established a school, where 400 students have passed and have gone on to become doctors and engineers. She also planned to construct an old age home for senior citizens in the Telugu film industry called Adharana and own a mobile theatre to spot talent from various places in Andhra Pradesh. She is also involved in politics.
Of all her Telugu films, the three films that she hated the most are: "Debbaku Tha Dongalu Mutha" (1981), Vintha Katha (1973), and Bombayi Priyudu (1996).
Personal Quotes
[on whether any leading man proposed marriage to her] Never, all the heroes got married, the existing ones probably didn't have the courage, but I always wanted to marry someone outside the industry and someone who is not already married once. I have seen many actresses who didn't succeed with second marriages and the characters we played helped us to study society.
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[on why she didn't want her only daughter, Anupama, to become an actress, who instead became a doctor] The span of a heroine here is only 3 years. Soundarya was the last actress who worked for a longer time. Why should I put my daughter to so much torture, sending her to acting school, etc., and asking her to make movies the aim of her life.
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I was averse to the same hair style, knotted bun and a plait with flowers. I bought in novelty by stitching two sarees, putting polka dots on it and wearing black outdoors, would have constant arguments with the art and camera department because they thought it would look gawdy.
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I never knew how I would look without make up. While others had a professional and personal life, my reel life was my real life. Even the jewellery or sarees I bought was worn during shootings because there was no occasion to dress up. I was such a novice, would sign a cheque but never knew how it would be encashed in the bank.
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I have no godfathers. The name and fame, whatever I got is because of my struggle and perseverance.
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Filmography
Film
Year
1990
1971
1969
1967
1962
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