Born Today
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Year:
Duration:
138 min
Genres:
Drama | Fantasy
IMDB rate:
8.1
Director:
Federico Fellini
Awards:
Won 2 Oscars. Another 16 wins & 8 nominations
Details
Country: Italy
Release Date: 1963-06-25
Filming Locations: Cinecittà Studios, Cinecittà, Rome, Lazio, Italy
Earnings
Opening Weekend: $11,947 (USA) (11 April 1999)
Gross: $50,690 (USA) (25 April 1999)
Cast
Actor
Character
Marcello Mastroianni
Guido Anselmi
Claudia Cardinale
Claudia
Anouk Aimée
Luisa Anselmi
Sandra Milo
Carla
Rossella Falk
Rossella
Barbara Steele
Gloria Morin
Madeleine Lebeau
Madeleine, l'attrice francese
Caterina Boratto
La signora misteriosa
Eddra Gale
La Saraghina
Guido Alberti
Pace, il produttore
Mario Conocchia
Conocchia, il direttore di produzione
Bruno Agostini
Bruno - il secondo segretario di produzione
Cesarino Miceli Picardi
Cesarino, l'ispettore di produzione
Jean Rougeul
Carini, il critico cinematografico
Mario Pisu
Mario Mezzabotta
Yvonne Casadei
Jacqueline Bonbon
Ian Dallas
Il partner della telepata
Mino Doro
L'agente di Claudia
Nadia Sanders
Nadine, la Hostess (as Nadine Sanders)
Georgia Simmons
La nonna di Guido
Edy Vessel
L'indossatrice (as Hedy Vessel)
Tito Masini
Il cardinale
Annie Gorassini
L'amica del produttore
Rossella Como
Un'amica di Luisa
Mark Herron
Il corteggiatore di Luisa
Marisa Colomber
Una zia di Guido
Neil Robinson
L'agente dell'attrice francese
Elisabetta Catalano
Matilde, la sorella di Luisa
Eugene Walter
Il giornalista americano
Hazel Rogers
La negretta
Gilda Dahlberg
La moglie del giornalista americano
Mario Tarchetti
L'ufficio di stampa di Claudia
Mary Indovino
La telepata
Frazier Rippy
Il segretario laico
Francesco Rigamonti
Un'amico di Luisa
Giulio Paradisi
Un'amico
Marco Gemini
Guido da ragazzo
Giuditta Rissone
La madre di Guido
Annibale Ninchi
Il padre di Guido
Antonio Acqua
Bit Part (uncredited)
Gideon Bachmann
Bit Part (uncredited)
Agnes Bonfanti
Bit Part (uncredited)
Deena Boyer
Bit Part (uncredited)
Mathilda Calnan
Un'amica di Luisa (uncredited)
Giulio Calì
Un uomo ai fanghi (uncredited)
Franco Caracciolo
Young Priest (uncredited)
Anna Caramini
Bit Part (uncredited)
Olimpia Cavalli
Bit Part (uncredited)
Elisabetta Cini
Un cardinale (uncredited)
Alfredo De Lafeld
Bit Part (uncredited)
Sebastiano De Leandro
Bit Part (uncredited)
Dina De Santis
Dina, 'nipote' di Cesarino (uncredited)
Edward Fleming
Bit Part (uncredited)
Grazia Frasnelli
Bit Part (uncredited)
Sonia Gessner
Bit Part (uncredited)
Eva Gioia
Eva, 'nipote' di Cesarino (uncredited)
Riccardo Guglielmi
Guido da bambino (uncredited)
John Karlsen
L'uomo in auto (uncredited)
John Francis Lane
Bit Part (uncredited)
Valentina Lang
Bit Part (uncredited)
Annarosa Lattuada
Bit Part (uncredited)
Palma Mangini
La vecchia alla fattoria
Roberto Nicolosi
Bit Part (uncredited)
Polidor
Un pagliaccio (uncredited)
Maria Raimondi
Una zia di Guido (uncredited)
Nino Rota
Bit Part (uncredited)
Luciana Sanseverino
Bit Part (uncredited)
John Stacy
Il cassiere (uncredited)
Maria Tedeschi
La direttrice della scuola (uncredited)
Flaminia Torlonia
Bit Part (uncredited)
Roberta Valli
La ragazza alla fattoria
Maria Wertmuller
Bit Part (uncredited)
Vadim Wolkowsky
Bit Part (uncredited)
Did you know?
Trivia
Often cited by Federico Fellini himself as one of his favorite films ever, even considering other directors' works.
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The original ending scene featured Guido and his wife sitting together in the restaurant car of a train bound for Rome. Lost in thought, Guido looked up to see all the characters of his film smiling ambiguously at him as the train entered a tunnel. Federico Fellini then shot an alternative ending set around the spaceship on the beach at dusk but with the intention of using the scenes as a trailer for promotional purposes only. He and his co-writers, however, decided that this alternate sequence served as a more harmonious and exuberant ending to the film.
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Federico Fellini:  [vaudeville]  The street magician's appearance and act.
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Goofs
When Guido visits Carla during her illness, a strap of her slip disappears in the close shot after she rolls over, but is apparent in longer shots both prior and after.
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When Guido and Claudia go out for their drive, they stop near some springs. Guido exits the passenger side of the car (off camera); we hear the door open and close. But when Claudia, who was driving, steps out moments later (also off camera), we never hear her door open or close.
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A man tells Guido that he has placed something in his right-hand pocket (a gun), when he goes to shoot himself under the table, he pulls it out of his left pocket.
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Quotes
Writer: You've made the right choice. Believe me, today is a good day for you. These are tough decisions, I know. But we intellectuals, and I say we because I consider you such, must remain lucid to the bitter end. This life is so full of confusion already, that there's no need to add chaos to chaos. Losing money is part of a producer's job. I congratulate you. You had no choice. And he got what he deserved for having joined such a frivolous venture so lightheartedly. Believe me, no need for remorse. Destroying is better than creating when we're not creating those few, truly necessary things. But then is there anything so clear and right that it deserves to live in this world? For him the wrong movie is only a financial matter. But for you, at this point, it could have been the end. Better to quit and strew the ground with salt, as the ancients did, to purify the battlefields. In the end what we need is some hygiene, some cleanliness, disinfection. We're smothered by images, words and sounds that have no right to exist, coming from, and bound for, nothingness. Of any artist truly worth the name we should ask nothing except this act of faith: to learn silence. Do you remember Mallarme's homage to the white page? And Rimbaud... a poet, my friend, not a movie director. What was his finest poetry?His refusal to continue writing and his departure for Africa. If we can't have everything, true perfection is nothingness. Forgive men for quoting all the time. But we critics... do what we can. Our true mission is... sweeping away the thousands of miscarriages that everyday... obscenely... try to come to the light. And you would actually dare leave behind you a whole film, like a cripple who leaves behind his crooked footprint. Such a monstrous presumption to think that others could benefit from the squalid catalogue of your mistakes! And how do you benefit from stringing together the tattered pieces of your life? Your vague memories, the faces of people that you were never able to love...
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Luisa Anselmi: Don't explain. I didn't ask you anything. Just spare me the shame of hearing you swear to a mess of lies.
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Guido: Accept me as I am. Only then can we discover each other.
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Faq
Q
How much sex, violence, and profanity are in this movie?
A
For detailed information about the amounts and types of (a) sex and nudity, (b) violence and gore, (c) profanity, (d) alcohol, drugs, and smoking, and (e) frightening and intense scenes in this movie, consult the IMDb Parents Guide for this movie. The Parents Guide for 8 1/2 can be found here.
Q
What does the 8½ in the title stand for?
A
Q
Is this movie based on a novel?
A
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Photos from cast
Maria Antonietta Beluzzi
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